As you may know, I am deeply interested in politics, in particular the subtle art of crafting imagery, shaping narratives, and building harmony to create something much larger than a moment’s victory. Yes, I want a movement. Oddly enough, these past few of weeks of writing about music have taught me more about love than anything else — I believe love it is what is uniting us at this moment and that is precisely why hatred can no longer win in America.

In 2003, I was drawn back into politics by Howard Dean, the man who gave voice to a dormant and disillusioned left, and in turn tasked me to use my newfound passion to participate in the political process. I genuinely loved what Dean stood for, and under his leadership I was never completely ruled by my growing distaste for George W. Bush, but that is precisely what the election became under John Kerry: a referendum on Bush’s first term, an outlet for my contempt, and a battle against those who absolutely loved him. We all know how that turned out.

Leap forward to 2008 and our present nominee, Barack Obama. Much has been written about his ability to unite us and even more will be said if he emerges victorious, but the one thing that’s missing from the conversation is love. Let me define it: it’s a deep affection for him and each other, an openness to the moment and the opportunity, a hope and hunger for something more meaningful, and most of all a sense of wonder that this is even possible. Here we are on the verge of electing an African-American man with a decidedly foreign name to succeed the most culturally divisive and thoroughly destructive Presidency in our brief history!

Is it any wonder that these stories like Charles meets Barack and Michael Shaw’s incredible post about James Armstrong, Dr. Martin Luther King Jr.’s one-time barber seen in the photo above, are floating to the surface? Just look at the history on that wall, and look at that smile — it’s not smug or self-satisfied, it’s genuinely composed and content that each and every struggle has been worth it.

I can think of no better song than “Damn” to sum up the confluence of their dreams and aspirations, our shared trials and tribulations, and America’s chance to make history tomorrow. This track from George Evelyn, aka DJ E.A.S.E., aka Nightmares on Wax, and vocalist Chyna B. is dripping with funk, soaring with soul, and absolutely bouncing with the energy of new life:

Damn, indeed.

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