Okay, this real-time-mix-o’-mine is really getting good. From Squarepusher, to Hud Mo, to John Tejada, to Plaid, to the ever elusive Jesse Legg’s o9 (pronouced oh nine) moniker. “Terminal Orange” is perhaps the only track in my arsenal that can follow the intricate rhythms and elegant melodies of Plaid’s “Buns” and do so not merely within those terms but entirely on its own trajectory.

o9-terminalorangeThis track is but one of many gems on o9′s massive Church of the Ghetto PC album, certainly one of the very best of its 2004 era, yet still virtually unknown even to this day. I discovered and purchased it from iTunes way back when, but the sound is so incredibly immense and the textures are so full and relentlessly refined that Apple’s 128kbps AAC encoding just couldn’t handle it. Way too much distortion for my delicate ears, which caused me to keep some distance from it for far too long.

I stumbled across “Terminal Orange” again today, and was instantly pulled in and every bit as enamored as my first listen in 2004. Tonight, I repurchased the album from Amazon, getting slightly better sound quality from their VBR mp3s, and the satisfaction of supporting o9 all over again. This particular track defies classification, it sounds like everything and nothing else, so familiar yet entirely foreign. I can’t get enough of it:

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This is the first time I have ever specifically saved an EQ setting in iTunes for a song / album. I finally have the sound just right, with no distortion whatsoever, and I do not want to lose it. And yes, I’m already working on the next track in the mix, and hope to have that sooner than the once a week postings as of late.