I have always felt that his music had a cinematic quality to it, a vastness encapsulated into such endlessly satisfying bite-size vignettes. Perhaps it’s no surprise that Ellison studied film in school, or that his aunt is Alice Coltrane, married to the great John Coltrane. Oh, and, he’s signed to Warp Records, home of Squarepusher, Autechre, Aphex, Plaid, and more. The man has pedigree in spades!

I could point you to any one of the 17 tracks on his new album Los Angeles, but for me the one that truly stands above and beyond all others is “RobertaFlack (feat. Dolly).” The sparsely spaced rhythm track shines on its own, but that gives Ellison plenty of room to add Dolly’s beautiful voice for color and depth. And then he tops it off with the most unexpected breakdown at the end, so ridiculously sultry and seductive I could listen to those last 52 seconds on repeat for the rest of my life and die a very happy man:

And if you like that, you won’t want to miss the exquisite video for “Parisian Goldfish” — Dance Floor Dale — co-directed by none other than one of my old favorites Eric Fensler. Be warned, it’s not for the faint of heart.

Fenslerfilm GI Joe PSA 15 – computer

A little searching on YouTube tonight (there are at least 25 different PSAs) came up with two more instant classics:

Fenslerfilm GI Joe PSA 01 – mimimimimi

Fenslerfilm GI Joe PSA 25 – old school

They’re just plain wrong on every level, yet so unbelievably perfect and precise. Admirably, it’s restrained without going over the top, and obviously weird without being absolutely bizarre. It pushes the edge, but remains well-balanced. As for the original cartoon animation, wow… it’s awful. How did I watch that show? I always loved those PSAs tho, “and knowing is half the battle.”

You can also see them all, in higher quality, on website of their creator, Eric Fensler.

And yes, I realize this confirms your suspicions that I have the comedic sensibilities of a 12 year old, but I don’t care.