It’s difficult to escape the reality of our current situation in America: our economy is crumbling under the weight of its own inequity; our government is in crisis-mode with the Bush administration trying desperately to conceal the true extent of the damage they have done; our environment is changing, rapidly, perhaps beyond the point of no return; our human race is at war with one another over the last remaining drops of oil, soon to be water and food as well; and the list goes on and on. Yet through it all, there is an unmistakeable sense of hope, and a deep desire to find another way forward in the world.

People always ask me, “What’s so fucking great about dancing?”
How the fuck should I know? Yeah, even I can barely understand it
But when the music takes over, the music takes control
Here’s a message to you, Rudy and you, sir, Mr. Bloomberg
And the rest of you ties-too-tight dudes
Y’all could learn a lesson, by losing inhibitions, yeah
Losing yourself in the music, losing yourself in the moment
Because we have nothing more than this very second
You can’t count on the one coming after, no one’s sure about the one before

At the risk of getting all raved out on you, and believe me I was only barely on the periphery of that mindset in the mid 90s, what can and will unite us is love, and dancing, and living each and every moment to the fullest. I truly believe a singular focus on the here and now, with an eye toward our comparable struggles and common dreams in life, can bridge our most historic gaps.

My generation is on the cusp of taking control of our country, and all involved deserve a little dancing in the streets. Our work to end oppression and discrimination may be difficult, but it need not be drudgery, and I for one plan to keep on dancing, laughing, and loving for the next four years and well beyond.

Edited slightly after posting.

What’s most interesting to me now is the way GGD feels both wholly of the moment and completely timeless as well. There’s something very current about their sound, something that can only be made in this modern era, yet it so clearly encompasses the energies and eccentricities of another era. Many other eras, in fact.

I love to find myself aware of both an instant and the infinite, and I can think of no better way to access that feeling than through music. “Princes feat. Tinchy Stryder” immediately takes me there and definitely keeps me coming back for more, I just can’t get enough of it:

“Oh shit, Gang Gang.”

I look forward to learning more about this Brooklyn band, and hope to see them live next month in San Francisco. If you’re thinking about going, please let me know, I would love to meet up.