Sam O’Hare’s “The Sandlot” is an absolute masterpiece. It certainly helps that its subjects are the buildings, people, and public spaces of Manhattan and Brooklyn, but it’s the impeccable composition and delicate pace with which they are handled that really shines.

It’s comprised of more than 35,000 still photographs shot over five days and two nights in August of 2009, a herculean effort in and of itself. Each image was manually tilt-shifted and then assembled in time-lapse. What you see here is New York in miniature, yet vivid motion. It’s more humane, more comprehensible, and more attainable, all things not often said about it.

While you can watch it here, it’s worth clicking over to Vimeo to watch “The Sandlot” in full-screen high-def.

As for the music by Human, owners of what looks to be a website designed and developed in the late ’90s (no, that’s not a compliment), Sam says:

I wanted the track to speak to what it is like to experience the many rhythms, pulses and moods of the city and the composition, especially the peak, does this beautifully. The vocals add narrative and pacing to the piece, and really help draw you through it.

Yes, and how. This track, untitled and completely unavailable as best I can tell, would fit perfectly in the Morr Music catalog, slotted between Styrofoam and The Go Find. The male vocals are gentle but spirited, calm but not sedate, and the female vocals remind me of Kirsty Hawkshaw’s work on Opus III’s “It’s a Fine Day,” perhaps best known as the sample in Orbital’s epic “Halcyon and on and on.” High praise indeed.

The lyrics are stunning, especially the last line and inspiration for the title of this post:

Here we go
Start over
Motion fills the air

C’mon c’mon
C’mon c’mon
C’mon c’mon now

And we know
The fragments
Revealing all the patterns

C’mon c’mon
C’mon c’mon
C’mon c’mon now

And we are
The story
Turn the page
And see what happens next

Here we go
Here we go
Here we go

We walk outside
All afternoon
All afternoon
All afternoon

All afternoon

Over and over
All afternoon

Rivers of light
Flowing home again
A flicker and its gone

As much as I love music, I often find that the video gets in the way. I can think of only a handful of that serve as more than just a compliment, they provide a means to access the music in a totally new way, something like The Books “Smells Like Content” (like tiny fragments of a finger snap). I will always love this quick “Glowing Cities Under a Nighttime Sky” clip, but the music is secondary. The only one that really comes close is this gem by Andrew Paynter for Tortoise:

That’s the San Francisco I know and love, so cool and crisp, but it pales in comparison to the warmth and glow of Sam’s New York. Makes me wonder why I’m still here and not there.

I know neither the song nor the artist, and have no connection to the person who made this video other than a shared obsession with flying at night with the window shade up. Of this video, its creator Ettubrute says:

On my night time flight back to SF from Amsterdam, I noticed that the lights from cities were making the clouds glow. Really spectacular and ethereal – it was really seeing the impact of urban environments from a different perspective. Each glow or squiggle represents one town or city!

Luckily the flight was half empty, so I was able to set up an improvised stabilizer mound made up of my bags, pillows, and blankets for my camera to sit on.

We were around the midwest at the beginning of the clip, and there were fewer cities once we hit the rockies. the bridge at the end is the san mateo bridge.

Endlessly fascinating and well worth a couple views, especially in full-screen.

I love the idea of The Unfinished Swan, a new “first-person painting game” from Ian Dallas. I’m not sure which is more amazing: the concept, the execution, or the soundtrack, which feels much like Aphex Twin’s epic Selected Ambient Works, Volume II (I just so happen to own one of the 10,000 limited edition triple brown vinyl UK release, its one of my most prized possessions).

I can’t wait to play this game in the spring of ’09. Until then, here’s a taste:

(via kottke)

Though brief, this post might be the meatiest of all my song of the day posts, especially since I have three excellent tracks to share, and each more than stands on its own. Nonetheless, they all fit together, albeit in a somewhat circuitous way, so please bear with me.

As I alluded to before when discussing Busdriver, I am frequently bored by hiphop, both lyrically and musically. With so much experimentation and innovation elsewhere in modern electronic music, I am continually surprised to see so little of it crossover. APC, however, not only embraces it, they take it in a completely new direction too. I didn’t immediately get this particular song, and I recall it was the feature track on Warp’s website for a number of weeks to my then dismay, but I quickly warmed up to it. In fact, the only thing I love more than this track itself now is the video for it:

I think seeing the way they move makes the music even more accessible. Here’s the track again:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

There is no way I cannot share LFO’s superb remix of “Ghostlawns”:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

And no mention of LFO can go without playing his epic remix of “Me and Guiliani Down by the School Yard (A True Story)” — see yesterday’s post on !!! for the original):

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

APC broke up several years ago shortly after touring with Radiohead in Europe, but have recently begun recording together again. While Beans more than kept it interesting in APC’s absence, I can’t wait to hear all of them on their new album Fluorescent Black when it comes out in 2009.

Charles Alexander was married for 69 years, but lost his wife just four weeks ago. Ever since then, he’s poured his heart and soul into volunteering for Barack Obama (via debha):

I can’t watch this without crying, but I am more hopeful than ever that Obama can truly bring about the change we so desperately need in America. Yes, change has become a catchall phrase in this election, but look into Charles Alexander’s eyes to see what it really means — it has nothing to do with him, and everything to do with making the world a better place for his grandkids and great grandkids. That’s a life worth living and a love worth sharing.

btw, music takes a back seat to politics on tankt today, but will resume with another Song of the Day tomorrow.

Every bit of that’s got to change.

For some added perspective, please see my previous post for my thoughts on Al Gore and George W. Bush. There’s no pressing need to rehash it line-by-line, but I will reiterate that Al’s brilliance continues to outshine his dimmer rival, time and again.

This man is a true visionary and a great inspiration, single-handedly rising above mere politics to viscerally challenge not just the American people, but the entrenched and powerful agents of the status quo. His message is clear and well-considered, and after seven plus years of Republican misdirection and malfeasance the American people are ready to rise up and embrace this moment.

Together, we can meet the challenge. We can solve the climate crisis.

Hot damn!! Both the song itself and its video are even better than I could have possibly imagined, or wished. Here’s an easy prediction: Jamie Lidell will be everywhere in 2008. I bet my parents will be listening to him before long (likely if I buy them his new album) and I wouldn’t be surprised if he ends on up Letterman too. This is huge.

btw, a comment on the YouTube page says that he’s backed by Beck’s band here. Anyone know for sure?

I have long been a John Edwards fan, but I haven’t been ready or willing to commit to his candidacy until now. It certainly seems to me that he has really caught fire in the past few weeks, and I don’t believe I’m the only one who’s noticed. I just hope it isn’t too late.

I am especially thrilled with the fact that he has continued to attack the rich and powerful, especially those who have bought and paid for our leaders in Washington. Edwards recently said, “We’re not gonna have an auction in Iowa, we’re gonna have an election. We’re gonna decide who the best candidate is, not who the person is who can raise the most money.” This is a refreshing and much needed change after seven long years of bush league government sold to the highest bidder.

Contrary to popular belief, the presidency of George W. Bush has not been a failure. Rather, I submit to you that he and his Republican party have been quite successful in the things they set out to do. The sad fact is that those things were never meant to benefit me and you — it was always about enriching themselves and the people that put them in power. Nothing more and nothing less.

There is a undeniable wave of authentic populism in America right now. You see it in Ron Paul’s fund-raising numbers, in Mike Huckabee’s overnight emergence from relative obscurity, and in the deep emotional response to John Edwards. Very few Americans have shared in the Bush boom, and many are truly struggling to make ends meet. We also have very real concerns about the priorities of our government and our standing in the world.

John Edwards is clearly a threat to the status quo, and those who stand to lose their unfair advantage under an Edwards administration have made a concerted effort to silence his critiques and eliminate his message from our political discourse. But that just makes an ad (via Digby) like this one even more powerful:

Doug Bishop says, “I’m gonna do my best to make sure that my children aren’t the first generation of Americans that I can’t look them in the eye and say ‘you’re gonna have a better life than I did.” Both he and I believe that Edwards is the only candidate on either side who can make that happen.

I sincerely hope he gets the chance. It will be the fight of a lifetime, but one that desperately needs to happen and one that we can win with a President John Edwards.

From here on out, if and when something so momentous comes to pass and I haven’t mentioned it on this blog, please send me an email or reach me through the contact page.

Joy Division too?!!

I don’t know that I have ever seen a band have so much fun making music. Amazing. Simply amazing.

When we owned our home back in Columbus, we had a older gentleman named Burly update the ancient knob and tube (hehe) wiring throughout the house. I happened to see him changing outlets and replacing fixtures without first turning off the electricity. Of course, I asked him why. Turns out it’s quicker, go figure. Then, I asked him how. And no, he didn’t wear one of those suits, he just kept the wires from touching.

Sounded easy enough, so I tried it once. Yep, once. And then never again.

This video makes my palms sweat.